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馢ulius Csar played where the ●conspirators seemed to feel it necessary to yell▓ out their plans in the night with a▓ll their might.But, in contrast to t▓his, the palace of the emper▓or was represented with a fidelity which cou▓ld not have been exceeded in Rome it●self; and the same with the Forum, and with● the generals' tent at Philippi.The choruses● were simply captivating in their execution▓. But more interesting to me than the ▓play was the audience.And the audienc●e, composed entirely of the educated▓ middle class, knew quite as▓ well how to judge what was success and what ●failure in th

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e performance as any of the bet▓ter audiences of a Vienna or a Berlin the●atre.And the foyer, very appealing▓ly decorated by the simplest artist●ic means with scenes from the history ▓of the Russian drama and with many portraits of● writers and actors, was visited and e●njoyed by the audience in the intermission.If ▓I had not continually heard about me the so▓unds of a strange speech, and had not seen● here and there a Russian studen▓t uniform, it never would have occurred to me▓ that I was in the very heart of● Russia, so far as culture was con●cerned. It was the same, too, in the fami

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lies● with which[Pg 272] I spent my evenings.If ▓anything, only the heartiness with which o▓ne is received is gratefully at variance with ou●r habits of careful reserve tow●ards strangers.But these hearty and h●ospitable people who at once lea▓d us to the samovar are by no means bac●kwoodsmen, but are most intimately in tou▓ch with all the advantages of the world, and t▓hey have uncommonly keen powers of obser▓vation.The visiting European who mig●ht think himself in a position to act among ▓them would quickly become aware that▓ the Russian writers, who astonish▓ us by their deep psychologic

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